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October 23, 2004
Drugs, infidelity and rampant egos ensured that New York, New York
was a very rotten big apple
New York, New York was supposed to be Liza Minnellis triumphant
emulation of the great MGM musicals made by her mother, Judy Garland. With a
plot partially lifted from A Star is Born, it was filmed at MGM studios. Minnelli
even used her mothers old dressing-room and the original hairdresser from
The Wizard of Oz.
This being the 1970s, however, filming was a nightmare of cocaine, egotism and
adultery. Minnellis father-fixation propelled her into a drug-fuelled
affair with her director, Martin Scorsese. He was the creative genius who was
going to rescue her from post-Cabaret disappointment. She was his ideal
muse, the embodiment of the classic Hollywood movies that he loved.
Back in the real world, Scorsese had the obligatory unfinished script to deal
with, and a pregnant wife who was also a “Jekyll and Hyde drunk”. When she wasn’t
being sick, Mrs Scorsese (Julia Cameron) prowled the set taking her rejection
out on the crew with snotty comments. Scorsese stayed closeted in his trailer
with Minnelli having lengthy “script conferences”. Their drug use got worse
and worse. Andy Warhol wrote in his diary of the night that Minnelli and Scorsese
appeared on the doorstep of the fashion designer Roy Halston, demanding: “Give
me every drug you’ve got.”
"People still sit around and tell horror stories about working on New
York, New York,” says the film’s costume designer, Theadora Van Runkle,
who had her own problems coping with Minnelli’s creeping weight gain. “The crew,”
she says, “were treated like peasants.”
Thanks to the interminable delay, the first cut of the film was more than four
hours long. It was trimmed by two hours, but did poorly at the box-office, sending
Scorsese into an angry depression. Things got worse: his wife divorced him and
Minnelli began a torrid affair with the dancer Mikhail Baryshnikov. He was put
on lithium, and his only distraction was Robert De Niro bugging him to read
a book about the boxer Jake LaMotta. Scorsese threw the book aside, saying it
was “full of s*** ”. It was another year before Scorsese kicked his drug habit
and decided to make Raging Bull.
Sean Macaulay